I: The Life and Times
of Stuart Hall
Stuart Hall is the man who coined the phrase Thatcherism
and for that hundreds of political pundits should be grateful. Without that blanket term, many political
pundits would have had to come up with their own unique buzzwords and theories about the cultural changes during the 1980’s rather than ripping off the work of Dr.
Hall. Unlike most political creatures, Stuart Hall is more than a man who coined a great phrase. His life started
off like most human lives start off; with his birth. He was born in Kingston, Jamaica in 1932 to
middle class parents. Due to his
families higher class status he was able to get a proper English public school
education and later was accepted into the Rhodes Scholar program as a member
of Oxford College. He was only the
second black man to become a Rhodes Scholar partially due to the fact that the whole scholarship is named after a rather racist explorer
(just a guess) (Journal of Blacks in Higher Education p.59). Despite getting his Ph.D. in American
Literature, Stuart Hall found his true calling to be cultural analysis with an emphasis on Marxist ideology. His emphasis was
on race based policies in Britain quickly discovered that as a black man in a
mixed race marriage in the early sixties, he was not going to be treated as an
equal by the stiff upper lip of the old British elite. In fact the local Conservative party won an
election with the Slogan “If you want a Nigger neighbor, vote Labour” (Journal
of Blacks in Higher Education p. 59). It
is no wonder that Hall became one of the founders of the New Left in Britain.
As a founder of the New Left in Britain, he helped to
create the Centre for Contemporary Cultural Studies at Birmingham
University. Here he developed many
foundational texts for the cultural studies discipline including his essay,
“The Spectacle of the ‘Other’”, which sets out the groundwork for how
minorities are represented in popular media forms. His works deal with issues of identity
politics and how people are both consumers and producers of culture. A person’s identity is something that is not
a static idea, but something that is constantly influx and always an ongoing process. His studies of difference and identity
politics eventually overlapped with politics and he became one of the biggest
critics and writers outside of the punk rock movement on the Thatcher years in
Britain. He is perhaps the ground zero
of the anti-Thatcher movement due to his coining of the term Thatcherism and his countless essays which masterfully criticized every aspect of her eleven year reign. His criticism on Thatcher focused on how she differed from the Tories of old and was a new form of conservative who would attempt to
rapidly and fundamentally change the British Welfare state into a a country of do-it-yourselfers and people who pull themselves up by their own
bootstraps (Journal of Blacks in Higher Education p. 59). He also turned his criticism inwards and called out the waning left movement
and their inability to conquer the dominant Thatcher narrative by their failure to
modernize. The spirit of 1945
would not a win an election in 1983 as those old factions no longer supported the old Labour cause(Hall 216). For all of his work, he has been called “Black Britain's leading theorist of black Britain”
(that by Henry Louis Gates)(Adams Guardian.com).
Now, where did Stuart Hall come up
with all these fantastic and groundbreaking ideas? One answer is that he just did, and stop
asking questions, it's rather rude. The less rude and perhaps real answer is that his work has been guided by two major influences. The first being the work of Antonio Gramsci, an
Italian Marxist. In nearly every essay
in his book, The Hard Road to Renewal: Thatcherism and the Crisis of the
Left, there is at least one mention of Gramsci. Hall is most interested in Gramsci’s
discussion of hegemony and his other Marxist leanings. His other biggest influence is the
Trinidadian intellectual C.L.R. James (Phillips p.38). Hall followed James’ lead on by focusing and writing about the
relationship between politics and culture and claimed that James is the model on how to be a black
intellectual (Phillips p. 41). That
looks like a crystal clear ringing endorsement.
II:
The Problem
Naturally, the question of what is
making Stuart Hall so mad arises? What
is getting this esteemed gentleman’s goat so much that he has devoted his late
1970’s and 1980’s to writing about a particular issue. The problem that Stuart Hall is writing about
is the rise of and eventual reign of Margaret Thatcher and her policies
conveniently known as Thatcherism. He is
concerned as to how Thatcher was able to seize power and how she was able to
keep it. He is concerned with why the
left hasn’t been able to win an election against this very divisive politician. Every popular musician
(other than Ian Rubbish and the Bizarros) hated Margaret Thatcher and yet she
ruled from 1979 to 1990. She started a
frivolous war with Argentina and was good friends with Ronald Reagan, yet still held on to power. It is an oddity that
Stuart Hall means to discuss and explore.
Margaret Thatcher and her policies were said to bring about a profound
change to the British welfare state and would hurt virtually anybody who was
not a rich white male or Margaret Thatcher and yet she still won numerous
elections (in America this phenomena is called what's the matter with Kansas). Hall is interested as to how
Thatcher kept winning elections and how she used a combination of
traditionalism and an appeal to old British Patriotism to stay in power.
END OF PART 1
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