Sunday, April 12, 2015

A Tale of Two Sleeping Beauties

Recently I saw the movie Maleficent which I thought was a fine film bolstered by an extraordinary leading performance by Angelina Jolie.  The movie hit all the right current blockbuster notes by doing the gritty revisionist history where the bad guy isn’t all that evil but rather misunderstood and it’s really the king that’s evil (who knew a goofy cartoon king had some much evil baggage).  The story made a bit more sense than the Disney story (of course Maleficent, the most powerful fairy in the world, would immediately know where Aurora is hiding and I do buy the mini-twist that Aurora would have no connection or loyalty to her father because well he decided to lock her away and never visit), but all it made me want to do was re-watch the old Disney classic.  I recall little from the Disney story other than the fact that the Prince had even less personality than Sleeping Beauty (quite a feat) and that the whole kingdom went through a bit of a snoozing period.  Other than that, my working memory of Sleeping Beauty came through various parodies and references.  It was as a good a time as any to revisit the old classic and see if the viewing experience would be any different.  Truth be told I liked the old classic a lot more than I can remember and much more than Maleficent.  Despite recognizing and calling out every weirdness or problem I had with the film, it’s hard to deny the effortless charm that pervades through the film. 

The magic in Sleeping Beauty is that I full heartedly enjoyed the movie despite agreeing with all the criticism of the film.  Sure Princess Aurora is a damsel in distress, but she really doesn’t do anything in Maleficent either.  Prince Phillip has even less of a personality in Maleficent than he does in Sleeping Beauty (at least in the later he gets to tell a few jokes or something of the sort before totally being helped by the fairies in battle despite their insistence that he’d have to do it alone-what a bunch of liars).  Plus I like evil Maleficent.  She’s happiest when she’s being a big old meanie so who’s idea was it to paint her as a tragic figure?  Why the best scenes in Maleficent are when Angelina Jolie gets to chew some scenery playing a spiteful baddie – like in the gift giving scene and or her lame ways at making life a bit hellish for the three fairies.  The lighter scenes in Maleficent were the best parts of the film.  All the grit and grime has been done to death so it wasn’t rather exciting or shocking.  Showing an “evil character” using her magic for pettiness and personal pleasure was a welcoming change from the rote boring behavior of most magical bad guys.

Sleeping Beauty utilizes no made up fantastical creatures (aside from some weird goblins) or scenes of majestic sweeping battles but still ends up as the more magical film.  These gritty adaptions of stories miss the whole point of why fairy tale adaptions were popular in the first place.  Sometimes it’s fun to watch a light story with a happy and predictable ending.  Not everything has to be as gritty as Frank Miller’s Batman.  We can (and should) keep the pro-woman messages in these new adaptions but we don’t need to sacrifice the charm that made us enjoy these classics in the first place.  I would like to leave a fairy tale with an enchanted feeling because it’s a fucking fairy tale not Lord of the Rings.  Let’s have some tonal diversity people.  Not every fairy tale movie needs to have an epic battle scene to produce a sense of grandeur or wonder; sometimes a simple duet through an enchanted forest is all that is required.  Well one time it was, once upon a dream.

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